Аннотация к товару "Генри Пёрселл CD1. Король Артур. Маска. Королева фей. Оды королеве Марии. Дидона и Эней"
Битрейт: 192 kbps Время: 6ч.01мин. Английский композитор XVII века ГенриПёрселл (Henry Purcell, 1659 - 1695), современники называли...
Битрейт: 192 kbps Время: 6ч.01мин. Английский композитор XVII века ГенриПёрселл (Henry Purcell, 1659 - 1695), современники называли его «Британским Орфеем». На первый диск вошли четыре оперы: «Король Артур»; «Маска»; «Королева фей»; «Дидона и Эней», а также «Оды королеве Марии».
1. KING ARTHUR Opera in 5 acts, libretto by John Dryden The Deller Consort & Choir: Nereid, Philidel - Jean Knibbs (soprano) Grimbald - Nigel Beavan (bass) Cupid - Rosemary Hardy (soprano) He, Pan, Gold Genius - Maurice Bevan (baryton) Comus - Leigh Nixon (tenor) Venus, She, Honour - Honor Sheppard (soprano) Paul Elliott (tenor) Mark Deller (counter-tenor) Alfred Deller (counter-tenor) The King\'s musick, dir. Roderick Skeaping Claire Shanks, Valйrie Darke (hautbois baroques) Martin Stancliffe (hautbois tenor) David Pugsley, Nicholas McGegan (flыtes а bec) Michael Laird, Bill Houghton (trompettes) Continuo: Jane Ryan (viole de gambe) Jeremy Ward (basson baroque) Ian Gammie (violone) Robert Elliott (clavecin) con. Alfred Deller (1979)
1 (1) 1. Overture; 2. Air ; 3. Overture (5:18)
Act I, sc. 2 2 (2) 4. "Woden, first to thee"; 5. "Brave Souls"; 6. "I call ye all" (10:26) 3 (3) 7. "Come if you dare" (5:52)
Act II 4 (4) 8. "Hither this way bend"; 9. "Let not a Moon-born Elf"; 10. "Hither this way"; 11. "Come follow me" (6:52) 5 (5) 12. "How blest are Shepherds"; 13. "Shepherd, leave Decoying"; 14. Hornpire (9:57)
Act III, sc. 2 6 (6) 15. "What ho" (1:43) 7 (7) 16. "What Power art thou"; 17. "Thou Doting Fool forbear"; 18. "See, see" (9:36) 8 (8) 19. "Tis I, that have warm\'d ye"; 20. "Sound a Parley"; 21. Air (8:08)
2. "THE MASQUE" FROM "TIMON OF ATHENS" Opera in 1 act, libretto by Thomas Shadwell after W.Shakespeare The Deller Consort: Cupidon - Jean Knibbs (soprano) Disciple de Cupidon - Honor Sheppard (soprano), Bacchus - Maurice Bevan (baryton) Disciple de Bacchus - Paul Elliott (tenor) The King\'s Musick, dir. Catherine Mackintosh Michael Laird (trompette) Christopher Ball, Michael Brain (flыtes а bec) Claire Shanks, Dai Jones (hautbois baroques) Continuo: Jane Ryan (viole de gambe) Jeremy Ward (basson baroque) Ian Gammie (violone) Robert Elliott (clavecin) conductor Alfred Deller (1976)
1 (18) Overture; Air; Overture (4:30) 2 (19) "Hark"; "Love in their little veins"; "But ah!"; "Hence with your trifling deity" (6:50) 3 (20) "Come all"; "Who can resist"; "Return, revolting rebels!" (4:55) 4 (21) "The cares of lovers"; "Love quickly is palled"; "Come, let us agree" (4:07)
3. THE FAIRY QUEEN Opera in 5 acts, Libretto by an anonymous author after "A Midsummer Night\'s Dream" by William Shakespeare. Sopranos: Nancy Argenta, Lynne Dawson, Isabelle Desrochers, Willemijn Van Gent, Veronique Gens, Sandrine Piau, Noйmi Rime; Hautes-contre: Charles Daniels, Jean-Paul Fouchйcourt, Mark Le Brocq, Christophe Le Paludier; Tenors: Bernard Loonen, Franзois Piolino, Thomas Randle; Baryton: Franзois Bazola; Basses: Jйrфme Corrйas, George Banks-Martin, Bernard Deletrй, Thomas Lander, Richard Taylor. Les Arts Florissants premier violon et violon solo Ryo Terakado assistant musical Christophe Rousset conductor William Christie (1989)
Second Musick 3 (24) 3. Air (1:00) 4 (25) 4. Rondeau (1:42) 5 (26) 5. Overture (1:30)
Act I 6 (27) 6. "Come, let us leave the town" (1:43) 7 (28) 7. "Fill up the bowl" (6:01) 8 (29) 8. Jig (1:09)
Act II 9 (30) 9. "Come all ye songsters" (2:32) 10 (31) 10. Prelude (1:19) 11 (32) 11. "May the God of Wit inspire"; 12. Echo (2:25) 12 (33) 13. "Now join your warbling voices all". "Sing while we trip it". Dance of Fairies (2:55) 13 (34) 14. "See, even Night herself is here" (4:50) 14 (35) 15. "I am come to lock all fast" (0:51) 15 (36) 16. "One charming night gives more delight" (2:24) 16 (37) 17. "Hush, no more" (5:02) 17 (38) 18. Dance for the followers of Night (1:23) 18 (39) 19. Air (1:32)
Act III 19 (40) 20. "If love\'s a sweet passion" (5:16) 20 (41) 21. Symphony while the swans come forward (1:31) 21 (42) 22. Dance for the Fairies (0:43) 22 (43) 23. Dance for the Green Men (1:46) 23 (44) 24. "Ye gentle spirits of the air" (5:01) 24 (45) 25. Dialogue between Coridon and Mopsa (3:33) 25 (46) 26. "When I have often heard young maids complaining" (2:01) 26 (47) 27. Dance for the Haymakers (0:51) 27 (48) 28. "A thousand, thousand ways" (2:14) 28 (49) 29. Hornpipe (0:56)
Act IV 29 (50) 30. Symphony (6:21) 30 (51) 31. "Now the night is chased away"; 32. "Let the Fifes and the Clarions" (3:19) 31 (52) 33. Entry of Phoebus (0:32) 32 (53) 34. "When a cruel long winter"; 35. "Hail! great parent of us all" (4:27) 33 (54) 36. "Thus the ever grateful Spring" (2:13) 34 (55) 37. "Here\'s the Summer, sprightly, gay" (1:31) 35 (56) 38. "See, see my many colour\'d fields" (2:43) 36 (57) 39. "Next Winter comes slowly" (3:32) 37 (58) 40. Air (1:09)
Act V 38 (59) 41. Prelude (1:12) 39 (60) 42. "Thrice happy lovers" (2:50) 40 (61) 43. "O let me weep!" (8:18) 41 (62) 44. Entry Dance (1:25) 42 (63) 45. Symphony (0:59) 43 (64) 46. "Thus the gloomy world" (4:05) 44 (65) 47. "Thus happy and free" (0:46) 45 (66) 48. "Yes, Daphne" (1:50) 46 (67) 49. Monkeys\' Dance (0:53) 47 (68) 50. "Hark! how all things with one sound rejoice" (2:05) 48 (69) 51. "Hark! the echoing air a triumph sings" (2:27) 49 (70) 52. "Sure the dull God of Marriage does not hear" (2:27) 50 (71) 53. Prelude; 54. "See, I obey" (1:48) 51 (72) 55. "Turn then thine eyes" (0:41) 52 (73) 56. "My torch indeed will from such brightness shine" (0:46) 53 (74) 57. "They shall be as happy as they are fair" (0:49) 54 (75) 58. Chaconne (2:38) 55 (76) 59. "They shall be as happy as they are fair" (0:53)
4. ODES FOR QUEEN MARY Julia Gooding (soprano) James Bowman (countertenor I) Christopher Robson (countertenor II) Howard Crook (tenor) David Wilson-Johnson (bass I) Michael George (bass II) Choir and Orchestra of the Age of Enlightenment conductor Gustav Leonhardt (1992)
Oda "Now does the glorious day appear" 1 (77) Symphony (3:44) 2 (78) Now does the glorious day appear (1:18) 3 (79) Not any one such joy could bring (1:26) 4 (80) This does our fertile isle with glory crown (2:09) 5 (81) Now does the glorious day appear (1:20) 6 (82) It was a work of full as great a weight (1:51) 7 (83) By beauteous softness mix\'d with majesty (2:23) 8 (84) Her hero to whose conduct and whose arms (1:26) 9 (85) Our dear Religion, with our Law\'s defence (1:30) 10 (86) No more shall we the great Eliza boast (1:16) 11 (87) Now, now, with one united voice (2:07)
Oda "Love\'s goddess sure was blind" 12 (88) Symphony (4:00) 13 (89) Love\'s goddess sure was blind this day (3:04) 14 (90) Those eyes, that form, that lofty mien (1:20) 15 (91) Sweetness of nature and true wit (3:03) 16 (92) Long may she reign over this isle (2:12) 17 (93) May her blest example chase (1:20) 18 (94) Many such days may she behold (3:04) 19 (95) May she to Heaven late return (1:24) 20 (96) As much as we below shall mourn (1:45)
Oda "Come ye sons of art" 21 (97) Symphony (3:28) 22 (98) Come ye sons of art, away (1:45) 23 (99) Sound the trumpet (2:26) 24 (100) Symphony - Come ye sons of art, away (1:14) 25 (101) Strike the viol, touch the lute (4:25) 26 (102) The day that such a blessing gave (2:40) 27 (103) Bid the Virtues, bid the Graces (2:40) 28 (104) These are the sacred charms that shield (1:32) 29 (105) See, Nature, rejoicing, has shown us the way (2:47)
5. DIDO & ЖNEAS Opera in 3 acts libretto by Nahum Tate Dido (Elissa), Queen of Carthage - Vйronique Gens (soprano) Жneas, trojan Prince - Nathan Berg (bass-baritone) Belinda, Dido\'s sister - Sophie Marin-Degor (soprano) Sorceress - Claire Brua (mezzo-soprano) Second Woman, First Witch - Sophie Daneman (soprano) Second Witch - Gaлlle Mechaly (soprano) Spirit, Sailor - Jean-Paul Fouchйcourt (tenor) Alto (chorus) - Steve Dugardin Basse (chorus) - Jonathan Arnold Chorus of Courtiers and Witches. Harpsichord and conductor: William Christie Instrumental ensemble: Hiro Kurosaki, Mihoko Kimura (violin) Galina Zinchenko (alto) Emmanuel Balssa (violoncelle) Hugo Reyne (recorder) Geoffrey Burgess (hautbois) Jonathan Rubin (theorbe) (1994)
1 (106) 1. Overture (1:57)
Act I 2 (107) 2. "Shake the cloud from off your brow" (1:03) 3 (108) 3. "Ah Belinda, I am press\'d with torment" (3:38) 4 (109) 4. "Grief increases by concealing"; 5. "When monarchs unite, how happy their state" (0:42) 5 (110) 6. "Whence could so much virtue spring?" (1:54) 6 (111) 7. "Fear no danger to ensue" (1:33) 7 (112) 8. "See our royal guest appears"; 9. "Cupid only throws the dart" (1:10) 8 (113) 10. "If not for mine, for Empire\'s sake"; 11. "Pursue thy conquest, Love"; 12. "To the hills and the vales" (2:14) 9 (114) 13. The Triumphing Dance (1:14)
Act II Scene 1 10 (115) 14. "Wayward sisters, you that fright"; 15. "Harm\'s our delight" (2:14) 11 (116) 16. "The Queen of Carthage"; 17. "Ho! ho! ho!"; 18. "Ruin\'d ere the set of sun?"; 19. "Ho! ho! ho!" (1:53) 12 (117) 20. "But ere we this perform" (1:10) 13 (118) 21. "In our deep vaulted cell"; 22. Echo Dance of Furies (2:23) Scene 2 14 (119) 23. Ritornelle; 24. "Thanks to these lonesome vales" (3:35) 15 (120) 25. "Oft she visit this lone mountain" (1:56) 16 (121) 26. "Behold upon my bending spear"; 27. "Haste, haste to town" (1:13) 17 (122) 28. "Stay Prince" (2:04) 18 (123) 28a. "Then since our chorus have sped"; 28 b. The Grove\'s Dance (1:28)
Act III Scene 1 19 (124) 29. "Come away" 30. The Sailors\' Dance (2:19) 20 (125) 31. "See, see the flags"; 32. "Our next motion" (1:41) 21 (126) 33. "Destruction\'s our delight" (0:30) 22 (127) 34. The Witches\' Dance (1:35) Scene 2 23 (128) 35. "Your counsel all is urged in vain" (3:35) 24 (129) 36. "Great minds against themselves conspire"; 37. "Thy hand, Belinda" (2:02) 25 (130) 38. "When I am laid in earth" (3:47) 26 (131) 39. "With drooping wings" (2:54)
Оставить комментарий