Friedrich Wilhelm Nietzsche

“The Greek Music Drama” marks an intriguing moment in the development of Nietzsche`s thought. Delivered in 1870 at the Basel Museum, it was the first public enunciation of the great themes that would echo throughout Nietzsche’s philosophy: the importance of aesthetic experience for culture, the primacy of the body and physiological drives, and the centrality of music to Greek tragedy. Here we see Nietzsche’s genealogical methodology in embryonic form alongside the anti-humanist aesthetics that will bloom in his later work. Addressing the material conditions of Greek theater in detail, Nietzsche repudiates the abstract scholarly approach to the art of classical antiquity, proposing that in its stead we cultivate different...

Дата выхода: ноябрь 2013

I have tried to describe a feeling that has often troubled me: I revenge myself on it by giving it publicity. This may lead someone to explain to me that he has also had the feeling, but that I do not feel it purely and elementally enough, and cannot express it with the ripe certainty of experience. A few may say so; but most people will tell me that it is a perverted, unnatural, horrible, and altogether unlawful feeling to have, and that I show myself unworthy of the great historical movement which is especially strong among the German people for the last two generations. I am at all costs going to venture on a description of my feelings; which will be decidedly in the interests of propriety, as I shall give plenty of opportunity for...

Дата выхода: январь 2012

Воспроизведено в оригинальной авторской орфографии.

Воспроизведено в оригинальной авторской орфографии.

Воспроизведено в оригинальной авторской орфографии.

Воспроизведено в оригинальной авторской орфографии.

Воспроизведено в оригинальной авторской орфографии.

Издательство: РИК Русанова

Воспроизведено в оригинальной авторской орфографии.

Воспроизведено в оригинальной авторской орфографии.